It’s all about color-correction filters, lights, a rock-steady camera and framing! The 4th article in the series, Joel & Jen have provided valuable tips for the underwater GoPro shooter, whether just getting started or a seasoned pro. Read the full article on Dive Photo Guide.
Just about everyone owns a GoPro, especially scuba divers. More than any other camera model, these small, high definition action cams are underwater and above water, recording the adventures of people world-wide. However, unless you have been shooting underwater for awhile, or know a competent underwater shooter who’ll guide you on what you need to do to get good underwater color, these cameras, without color-correction filters, will provide video and stills that are monochromatic… all blue or all green. While it’s cool to alot of people just to see what goes on underwater, it’s way cooler to see the actual colors of the reefs and the marine and plant life that inhabit them.
In the third article of this series on Dive Photo Guide, we show you the differences between footage without color-correction and with color-correction, and the accessories you’ll need to get amazing underwater color with YOUR GoPro camera.
The 14th annual Digital Shootout was held at the CoCo View Resort on Roatan, Honduras. See what its like to be one of 80 enthusiastic and motivated underwater photographers at this week-long workshop for underwater image-makers wanting to elevate their skills to the next level!
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